At the dawn of the civil war, the men of Cold Mountain, North Carolina, rush to join the confederate army. Ada (Kidman) has vowed to wait for Inman (Law), but as the war drags on and letters go unanswered, she must find the will to survive. At war's end, hearts will be dashed, dreams fulfilled and the strength of human spirit tested...but not broken! Directed by Academy Award winner Anthony Minghella (
The English Patient).Freely adapted from Charles Frazier's beloved bestseller,
Cold Mountain boasts an impeccable pedigree as a respectable Civil War love story, offering everything you'd want from a romantic epic except a resonant emotional core. Everything in this sweeping, Odyssean journey depends on believing in the instant love that ignites during a
very brief encounter between genteel, city-bred preacher's daughter Ada (Nicole Kidman) and Con! federate soldier Inman (Jude Law), who deserts the battlefield to return, weary and wounded, to Ada's inherited farm in the rural town of Cold Mountain, North Carolina. In an epic (but dramatically tenuous) case of absence making hearts grow fonder, Inman endures a treacherous hike fraught with danger (and populated by supporting players including Philip Seymour Hoffman, Natalie Portman, and others) while the struggling, inexperienced Ada is aided by the high-spirited Ruby (Renée Zellweger), forming a powerful farming partnership that transforms Ada into a strong, lovelorn survivor. The film's episodic structure slightly weakens its emotional impact, and it's fairly obvious that director Anthony Minghella is striving to repeat the prestigious romanticism of his Oscar®-winning hit
The English Patient. For the most part it works, especially in the dynamic performances of Zellweger and Kidman, and the explosive 1864 battle of Petersburg, Virginia, is recreated with vi! olent, percussive intensity. Those who admired Frazier's novel! may reg ret some of the changes made in Minghella's adaptation (the ending is particularly altered), but
Cold Mountain remains a high-class example of grand, old-fashioned filmmaking, boosted by star power of the highest order.
--Jeff ShannonIn 1997, Charles Frazier’s debut novel Cold Mountain made publishing history when it sailed to the top of The New York Times best-seller list for sixty-one weeks, won numerous literary awards, including the National Book Award, and went on to sell over three million copies. Now, the beloved American epic returns, reissued by Grove Press to coincide with the publication of Frazier’s eagerly-anticipated second novel, Thirteen Moons. Sorely wounded and fatally disillusioned in the fighting at Petersburg, a Confederate soldier named Inman decides to walk back to his home in the Blue Ridge mountains to Ada, the woman he loves. His trek across the disintegrating South brings him into intimate and sometimes l! ethal converse with slaves and marauders, bounty hunters and witches, both helpful and malign. At the same time, the intrepid Ada is trying to revive her father’s derelict farm and learning to survive in a world where the old certainties have been swept away. As it interweaves their stories, Cold Mountain asserts itself as an authentic odyssey, hugely powerful, majestically lovely, and keenly moving.
This unabridged audio version of
Cold Mountain, read by author Charles Frazier, deserves at least as much acclaim as the bestselling print edition, which won the National Book Award. The tale chronicles a Confederate army deserter's search for home and love in the last days of the Civil War.
Much has been made of the story's homage to The Odyssey, the origins of which are found in an oral tradition. One can't help but hear echoes of Homer when listening to Frazier's soft, deliberate voice give life to his lyrical writing and to his understa! ted, yet convincing rendering of the overwhelming events of w! ar. Both Frazier's prose and reading are leisurely, recalling a slow foot pace. His delivery is uniquely suited to Innman's arduous, adventure-filled walk toward home and to the possibility of a reunion with Ada, the woman he loves. The author's reading does equal justice to Ada, who is being transformed by her struggle for survival on her father's farm. There is precious little dialogue, and Frazier makes no effort at acting out the characters.
One small irritation in the production is a beeping noise at the end of each side. Another minor complaint is that the tapes don't have individual boxes, which was perhaps an attempt to make the overall package appear more booklike. The recording does, however, make deft use of two brief musical interludes. In a subtle twist, the fiddle music that opens the first cassette, when repeated as an accompaniment to the epilogue, carries a bittersweet and unexpected resonance. By all means, forgive Random House Audio the tiny glit! ches, pass over that slender abridged version, and take home the real thing. This audiocassette is a journey that will leave few listeners unchanged by the experience. (Running time: 14.5 hours, 12 cassettes) --Naomi J. Cohn Nicole Kidman (Academy Award(R) Winner -- Best Actress, THE HOURS, 2002) stars with Academy Award(R) winner Renée Zellweger (Best Supporting Actress, COLD MOUNTAIN, 2003) and Academy Award® nominee Jude Law (Best Actor, COLD MOUNTAIN). At the dawn of the Civil War, the men of Cold Mountain, North Carolina, rush to join the Confederate army. Ada (Kidman) has vowed to wait for Inman (Law), but as the war drags on and letters go unanswered, she must find the will to survive. At war's end, hearts will be dashed, dreams fulfilled, and the strength of the human spirit tested ... but not broken! Directed by Academy Award® winner Anthony Minghella (Best Director, THE ENGLISH PATIENT, 1996).Freely adapted from Charles Frazier's beloved bestseller, Cold Mountain boasts an impeccable pedigree as a respect! able Civ il War love story, offering everything you'd want from a romantic epic except a resonant emotional core. Everything in this sweeping, Odyssean journey depends on believing in the instant love that ignites during a very brief encounter between genteel, city-bred preacher's daughter Ada (Nicole Kidman) and Confederate soldier Inman (Jude Law), who deserts the battlefield to return, weary and wounded, to Ada's inherited farm in the rural town of Cold Mountain, North Carolina. In an epic (but dramatically tenuous) case of absence making hearts grow fonder, Inman endures a treacherous hike fraught with danger (and populated by supporting players including Philip Seymour Hoffman, Natalie Portman, and others) while the struggling, inexperienced Ada is aided by the high-spirited Ruby (Renée Zellweger), forming a powerful farming partnership that transforms Ada into a strong, lovelorn survivor. The film's episodic structure slightly weakens its emotional impact, and it's fair! ly obvious that director Anthony Minghella is striving to repeat the prestigious romanticism of his Oscar®-winning hit The English Patient. For the most part it works, especially in the dynamic performances of Zellweger and Kidman, and the explosive 1864 battle of Petersburg, Virginia, is recreated with violent, percussive intensity. Those who admired Frazier's novel may regret some of the changes made in Minghella's adaptation (the ending is particularly altered), but Cold Mountain remains a high-class example of grand, old-fashioned filmmaking, boosted by star power of the highest order. --Jeff ShannonImport Blu-Ray/Region A pressing. Nicole Kidman stars with Academy Award winner Renée Zellweger and Academy Award® nominee Jude Law (Best Actor). At the dawn of the Civil War, the men of Cold Mountain, North Carolina, rush to join the Confederate army. Ada (Kidman) has vowed to wait for Inman (Law), but as the war drags on and letters go unanswered, s! he must find the will to survive. At war's end, hearts will be! dashed, dreams fulfilled, and the strength of the human spirit tested ... but not broken! Directed by Academy Award® winner Anthony Minghella.Freely adapted from Charles Frazier's beloved bestseller, Cold Mountain boasts an impeccable pedigree as a respectable Civil War love story, offering everything you'd want from a romantic epic except a resonant emotional core. Everything in this sweeping, Odyssean journey depends on believing in the instant love that ignites during a very brief encounter between genteel, city-bred preacher's daughter Ada (Nicole Kidman) and Confederate soldier Inman (Jude Law), who deserts the battlefield to return, weary and wounded, to Ada's inherited farm in the rural town of Cold Mountain, North Carolina. In an epic (but dramatically tenuous) case of absence making hearts grow fonder, Inman endures a treacherous hike fraught with danger (and populated by supporting players including Philip Seymour Hoffman, Natalie Portman, and others) while! the struggling, inexperienced Ada is aided by the high-spirited Ruby (Renée Zellweger), forming a powerful farming partnership that transforms Ada into a strong, lovelorn survivor. The film's episodic structure slightly weakens its emotional impact, and it's fairly obvious that director Anthony Minghella is striving to repeat the prestigious romanticism of his Oscar®-winning hit The English Patient. For the most part it works, especially in the dynamic performances of Zellweger and Kidman, and the explosive 1864 battle of Petersburg, Virginia, is recreated with violent, percussive intensity. Those who admired Frazier's novel may regret some of the changes made in Minghella's adaptation (the ending is particularly altered), but Cold Mountain remains a high-class example of grand, old-fashioned filmmaking, boosted by star power of the highest order. --Jeff ShannonThe extraordinary author of Cold Mountain and Thirteen Moons returns with a ! dazzling new novel of suspense and love set in small-town Nort! h Caroli na in the early 1960s.
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Charles Frazier puts his remarkable gifts in the service of a lean, taut narrative while losing none of the transcendent prose, virtuosic storytelling, and insight into human nature that have made him one of the most beloved and celebrated authors in the world. Now, with his brilliant portrait of Luce, a young woman who inherits her murdered sister’s troubled twins, Frazier has created his most memorable heroine.
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Before the children, Luce was content with the reimbursements of the rich Appalachian landscape, choosing to live apart from the small community around her. But the coming of the children changes everything, cracking open her solitary life in difficult, hopeful, dangerous ways.
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Charles Frazier is known for his historical literary odysseys, and for making figures in the past come vividly to life. Set in the twentieth century, Nightwoods resonates with the timelessness of a great work of art.Amazon B! est Books of the Month, October 2011: A woman living in an abandoned rural lodge is suddenly forced to raise her dead sister's two wild young children. Neither of them has spoken a word since witnessing their mother's brutal murder, and they’ve developed a fondness for breaking things and starting fires. These mute, trouble-making kids are among Charles Frazier’s finest characters. And when their ne'er-do-well father is acquitted and released from jail, the action in this lush and lively novel flares. With sharp dialogue, unexpected humor, and a powerful ability to depict the scents and sounds of loamy Carolina backwoods, while toying with fire and water as his themes, Frazier has crafted an impressive story, proving that Cold Mountain was no fluke. --Neal Thompson
A Letter from Author Charles Frazier
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Lost in the woods. A dangerous phrase, but also with a resonance of folktale. Hansel and Gretel with their bread crumbs. Jack alone, roaming the lovely, dark, and deep southern mountains. So, young people and old people being lost in the woods has always been interesting to me for those reasons. And also because it happens all the time still.
Back when I was a kid, eight or ten, my friends and I lived with a mountain in our backyards. We stayed off it in summer. Too hot and snaky. But in the cool seasons, we roamed freely. We carried bb guns in the fall and rode our sleds down old logging roads in winter. We often got lost. But we knew that downhill was the way out, the way home. When I grew up and went into bigger mountains, you couldn’t always be so sure. I remember being lost in Bolivia. Or let’s say that I grew increasin! gly uncertain whether I was still on the trail or not. That’s the point where you ought to sit down and drink some water and consult your maps and compass very carefully and calmly. I kept walking. At some point, it became a matter of rigging ropes to swing a heavy pack over a scary white watercourse. I ended up at a dropoff. Down far below, upper reaches of the Amazon basin stretched hazy green into the distance. Downhill did not at all seem like the way home.
You’ll just have to trust me that this has something to do with my new novel, but to go into it much would risk spoilers. I’ll just say that early on in the writing of Nightwoods, Luce and the children were meant to be fairly minor characters, but I kept finding myself coming back to them, wanting to know more about them until they became the heart of the story. Some of my wanting to focus on them was surely influenced by several cases of kids lost in the woods in areas where I’m typically j! ogging and mountain biking alone at least a hundred days a yea! r. It†™s part of my writing process, though I hardly ever think about work while I’m in the woods. But I do keep obsessive count of how many miles a day I go and how many words I write, lots of numbers on 3x5 notecards. All those days watching the micro changes of seasons can’t help but become part of the texture of what I write, and those lost kids, too.
An introdutory essay on this important modern American novel.An introdutory essay on this important modern American novel.Nominated for 7 Academy Awards®, this "stunning" (NEWSWEEK) wartime romantic drama directed by Anthony Minghella (THE ENGLISH PATIENT) stars heavy hitters Nicole Kidman, Renée Zellweger, Jude Law, Donald Sutherland, Philip Seymour Hoffman and Natalie Portman. At the dawn of the Civil War, the men of Cold Mountain, North Carolina, rush to join the Confederate Army. Ada (Kidman) has vowed to wait for Inman (Law), but as the war drags on and letters go unanswered, she must find the will to surviv! e. At war's end, hearts will be dashed, dreams fulfilled and the strength of the human spirit tested, but not broken.
This authoritative, bilingual edition represents the first time the entirety of Cold Mountain's poetry has been translated into English.
These translations were originally published by Copper Canyon Press nearly twenty years ago. Now, significantly revised and expanded, the collection also includes a new preface by the translator, Red Pine, whose accompanying notes are at once scholarly, accessible, and entertaining. Also included for the first time are poems by two of Cold Mountain's colleagues.
Legendary for his clarity, directness, and lack of pretension, the eight-century hermit-poet Cold Mountain (Han Shan) is a major figure in the history of Chinese literature and has been a profound influence on writers and readers worldwide. Writers such as Charles Frazier and Gary Snyder studied his poetry, and Jack Kerouac's Dharma Bu! ms is dedicated "to Han Shan."
1.B
! storied cliffs were the fortune I cast
bird trails beyond human tracks
what surrounds my yard
white clouds nesting dark rocks
I've lived here quite a few years
and always seen the spring-water change
tell those people with tripods and bells
empty names are no damn good
71.
someone sits in a mountain gorge
cloud robe sunset tassels
handful of fragrances he'd share
the road is long and hard
regretful and doubtful
old and unaccomplished
the crowd calls him crippled
he stands alone steadfast
205.
my place is on Cold Mountain
perched on a cliff beyond the circuit of affliction
images leave no trace when they vanish
I roam the whole galaxy from here
lights and shadows flash across my mind
not one dharma comes before me
since I found the magic pearl
I can go anywhere everywhere it's perfect
Cold Mountain
A mountain man lives under thatchbefore his gate carts and horses are rare
the forest is quiet but partial to birds
the streams are wide and home to fish
with his son he picks wild fruit
with his wife he hoes between rocks
what does he have at home
a shelf full of nothing but books
DVD
An inevitable rite of passage in any Jewish child’s informal initiation to adulthood is to study, with grim fascination, the grainy, ou! t-of-focus images of hollow-eyed survivors in striped pajamas, the amateur photos of corpses piled high in freshly dug pits, or possibly the 16 mm handheld GI footage of living skeletons clinging to barbed wire during the liberation of the camps. Such grisly iconography of passivity and victimization was, during my childhood, and probably is still today, not only an article of faith, but also a source of secret shame. As an assimilated suburban kid growing up in the Midwest, I had thrilled to World War II stories about John Kennedy and PT 109 (Cliff Robertson in the movie version), the leatherneck marines at Guadalcanal (John Wayne), the flying fortresses over Germany (Gregory Peck), and so many more. In feeble contrast, Jewish heroes were the ancient biblical warriors evoked by uninspired Sunday school teachers--Bar Kochba and Judah Macabee wielding spears and jawbones, or young David with his little slingshot.
If you are wondering about the cause of the current market crisis, then you haven't been reading enough of Jack Bogle.
