Sunday, December 11, 2011

The Bielski Brothers (History Channel)

  • Living in the Soviet Republic of Belorussia during World War II, Tuvia, Asael and Zus Bielski saved more than twelve-hundred of their fellow Jews from perishing in the Holocaust, yet their story has largely gone untold. The Bielski's built an elaborate village in the woods, from which they rescued Jews and mounted guerilla attacks against the Nazis. Their forest haven included a gun workshop, a ba
Daniel Craig (James Bond: Quantum of Solace) stars as Tuvia Bielski, an ordinary citizen turned hero, in this action-packed epic of family, honor, vengeance and salvation. Defiance is a riveting adventure that showcases the extraordinary true story of the Bielski brothers, simple farmers â€"outnumbered and outgunned- who turned a group of war refugees into powerful freedom fighters. Tuvia, along with his unyielding brother, Zus (Liev Schreiber, X-Men Origins: Wolverine), motivate! hundreds of civilians to join their ranks against the Nazi regime. Their “Inspirational story”* is a true testament to the human spirit. - David Densby, The New YorkerThree ferociously committed actors fill the roles of the Bielski brothers, Jewish partisans who escaped into the forests of Eastern Europe during the Second World War. Daniel Craig (taking a break from 007 duty) is Tuvia, the leader of a group of refugees who eventually number over a thousand; Liev Schreiber is Zus, the antagonistic warrior; and Jamie Bell is Asael, a peacemaker no less devoted to the survival of the community. The three performers give life to director Edward Zwick's account of this little-known chapter of Jewish resistance to the Holocaust, which otherwise plays more like a history lesson than a full-blooded movie. The film's best achievement is its strong location work, in Lithuania--as the community makes its home in the forest, the landscape becomes an important player in th! e drama at hand, and the changing of the seasons is charted wi! th bone- chilling detail. Schreiber manages to get a little wry humor into this otherwise sober enterprise, and Daniel Craig creates an unusual character: a sort of anti-Bond, a hero whose body is all too fallible and whose decision-making is sometimes hesitant or morally compromised. It's a rare hero in a World War II movie that tends to withdraw from scenes rather than stride into them, but that's what Craig does. More than likely, the movie's main achievement will be sending the curious to read the histories of the Bielski brothers and why they matter in the chronicles of the Holocaust. --Robert Horton

Stills from Defiance (Click for larger image)


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DEFIANCE - Blu-Ray MovieThree ferociously committed actors fill the roles of the Bielski brothers, Jewish partisans who escaped into the forests of Eastern Europe during the Second World War. Daniel Craig (taking a break from 007 duty) is Tuvia, the leader of a group of refugees who eventually number over a thousand; Liev Schreiber is Zus, the antag! onistic warrior; and Jamie Bell is Asael, a peacemaker no less devoted to the survival of the community. The three performers give life to director Edward Zwick's account of this little-known chapter of Jewish resistance to the Holocaust, which otherwise plays more like a history lesson than a full-blooded movie. The film's best achievement is its strong location work, in Lithuania--as the community makes its home in the forest, the landscape becomes an important player in the drama at hand, and the changing of the seasons is charted with bone-chilling detail. Schreiber manages to get a little wry humor into this otherwise sober enterprise, and Daniel Craig creates an unusual character: a sort of anti-Bond, a hero whose body is all too fallible and whose decision-making is sometimes hesitant or morally compromised. It's a rare hero in a World War II movie that tends to withdraw from scenes rather than stride into them, but that's what Craig does. More than likely, the movie! 's main achievement will be sending the curious to read the hi! stories of the Bielski brothers and why they matter in the chronicles of the Holocaust. --Robert Horton

Stills from Defiance (Click for larger image)











An out-of work merchant seaman single-handedly tames a powerful street gang ("The Souls") that has been terrorizing his neighborhood on New York City's Lower East Side.

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Nechama Tec tells the story of the largest armed rescue operation of Jews by Jews in World War II. Arguing that the success of the Bielski partisans, as the rescue organization came to be known, would have been unthinkable without the vision of one man, Tec offers penetrating insight into the group's commander, Tuvia Bielski. Tec brings to light the untold story of Bielski's struggle as a partisan who! lost his parents, wife, and two brothers to the Nazis, yet never wavered in his conviction that it was more important to save one Jew than to kill twenty Germans. She shows how, under Bielski's guidance, the partisans smuggled Jews out of heavily guarded ghettos, scouted the roads for fugitives, and led retaliatory raids against Belorussian peasants who collaborated with the Nazis.
Herself a Holocaust survivor, Nechama Tec here draws on wide-ranging research and never before published interviews with surviving partisans--including Tuvia Bielski himself--to reconstruct here the poignant and unforgettable story of those who chose to fight.
The prevailing image of European Jews during the Holocaust is one of helpless victims, but in fact many Jews struggled against the terrors of the Third Reich. In Defiance, Nechama Tec offers a riveting history of one such group, a forest community in western Belorussia that would number more than 1,200 Jews by 1944--t! he largest armed rescue operation of Jews by Jews in World War! II. Tec reveals that this extraordinary community included both men and women, some with weapons, but mostly unarmed, ranging from infants to the elderly. She reconstructs for the first time the amazing details of how these partisans and their families--hungry, exposed to the harsh winter weather--managed not only to survive, but to offer protection to all Jewish fugitives who could find their way to them.

Read the Foreword
Writer and director Edward Zwick reveals the challenges and personal significance of making a film adaptation of Nechama Tec's Defiance. Among his extensive film credits, Zwick is best known for his direction of Blood Diamond and The Last Samaurai.

An inevitable rite of passage in any Jewish child’s informal initiation to adulthood is to study, with grim fascination, the grainy, ou! t-of-focus images of hollow-eyed survivors in striped pajamas, the amateur photos of corpses piled high in freshly dug pits, or possibly the 16 mm handheld GI footage of living skeletons clinging to barbed wire during the liberation of the camps. Such grisly iconography of passivity and victimization was, during my childhood, and probably is still today, not only an article of faith, but also a source of secret shame. As an assimilated suburban kid growing up in the Midwest, I had thrilled to World War II stories about John Kennedy and PT 109 (Cliff Robertson in the movie version), the leatherneck marines at Guadalcanal (John Wayne), the flying fortresses over Germany (Gregory Peck), and so many more. In feeble contrast, Jewish heroes were the ancient biblical warriors evoked by uninspired Sunday school teachers--Bar Kochba and Judah Macabee wielding spears and jawbones, or young David with his little slingshot.

So when my friend and collaborator, Clay Frohman, came! to me with a book called Defiance, I was skeptical. ! "Not ano ther Holocaust movie," I said. What was to be accomplished, I asked myself, in telling yet another story of familiar and unspeakable horror, especially when an entire canon of literature, not to mention films both documentary and fiction, have already dramatized it in the most exacting and harrowing detail? What’s more, the greatest historians and philosophers of our time have devoted entire careers to plumbing the roots and magnitude of its evil. What could I possibly add?

But Clay was insistent. Here, he said, was something fresh and utterly provocative. And so, somewhat grudgingly, I plunged into Nechama’s Tec’s remarkable book and found myself deeply moved. That was ten years ago. And the feelings I had upon that first reading have only grown stronger with time. To read of the Bielski brothers and their fight to create a safe haven in the midst of a hell-on-earth evokes in me something utterly primitive and deeply personal, a roiling wave of fear, awe, humi! lity, and admiration. And outrage, too--that such a story was not better known.

Here, clutching captured Schmeisser submachine guns and "potatomasher" grenades, were Jewish fighters whose deeds were as stirring and brave as any I had ever encountered. And what’s more, it was all true. In an age when the term "hero" has been so overused as to become meaningless, the Bielskis remind us that real heroism is not the stuff of comic books. Rather, it is a set of decisions, sometimes impulsive, often made by simple men of whom nothing of the sort could ever have been expected. Their story is not simply one of courage or fortitude in the face of adversity; it includes any number of daunting moral decisions--whether to seek vengeance or to rescue, how to re-create a sense of community among those who have lost everything, how to maintain hope when all seems forsaken. Read more

Edward Zwick
Santa Monica, Calif., 2008

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Studi! o: Param ount Home Video Release Date: 08/02/2011 Rating: RLiving in the Soviet Republic of Belorussia during World War II, Tuvia, Asael and Zus Bielski saved more than twelve-hundred of their fellow Jews from perishing in the Holocaust, yet their story has largely gone untold. The Bielski's built an elaborate village in the woods, from which they rescued Jews and mounted guerilla attacks against the Nazis. Their forest haven included a gun workshop, a bakery, a synagogue, a communal bath and even a theater company. Containing interviews with Bielski Brigade survivors in the United States, Israel and Great Britain, we proudly pay tribute to three of the greatest unsung heroes of the Holocaust.The true story behind Edward Zwick's Defiance is laid out in this brisk, straight-to-the-point account of the Bielski brothers, the leaders of a large, organized Jewish resistance effort during World War II. Escaped Jews from the ghettoes of Eastern Europe joined together in the woods u! nder the leadership of Tuvia, Zus, and Asael Bielski, and for over two years they created their own hidden society of approximately 1200 people. This History Channel installment gathers together survivors of the partisan movement to tell stories, some of which are incredibly moving, such as the escape of Mike Stoll and his sister Bella from a train headed to a concentration camp. Another survivor recalls escaping the horror of the ghetto and coming upon the Bielskis in their forest enclave, where Jews were no longer under the heel of the enemy: "The whole camp was… something of a dream." The documentary's brevity means we don't get much depth on how the Bielski partisans actually survived from day to day, although a couple of the interviewees are frank about what they had to do to keep going. But this is balanced by the value of actually hearing the voices and seeing the faces of those who were there; when one woman sings a song of the camp, the decades suddenly collapse.! As a companion piece to Defiance, it suggests the Zwic! k film w as faithful to the facts, and to this story of heroism under terrible circumstances. --Robert Horton

Home Alone Collection [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • Color; Widescreen
Home Alone:
Eight-year-old Kevin McCallister (Macaulay Culkin) has become the man of the house, overnight! Accidentally left behind when his family rushes off on a Christmas vacation, Kevin gets busy decorating the house for the holidays. But he's not decking the halls with tinsel and holly. Two bumbling burglars are trying to break in, and Kevin's rigging a bewildering battery of booby traps to welcome them!

Home Alone 2:
Kevin McCallister (Macaulay Culkin) is back! But this time he's in New York City with enough cash and credit cards to turn the Big Apple into his own playground! But Kevin won't be alone for long. The notorious Wet Bandits, Harry and Marv (Joe Pesci and Daniel Stern), still smarting from their last encounter with Kevin, are bou! nd for New York too, plotting a huge holiday heist. Kevin's ready to welcome them with a battery of booby traps the bumbling bandits will never forget!

Home Alone 3:
Here's a perfect movie for kids, who never seem to tire of John Hughes's sure-fire slapstick formula. Working yet another variation on his mammoth 1990 hit, writer-producer Hughes (regarded by many as Hollywood's antichrist) strands a youngster in his own home with the chicken pox in this 1997 retelling. While his parents go to work, he sees a team of burglars invading the neighborhood houses; in fact, they're spies, looking for a toy containing a stolen microchip. The inevitability of the finale--one kid holding off four professionals with toys and garden tools--will do nothing to lessen the amusement of youngsters, who love to see the bad guys get creamed. Adults may pause at the sadistic nature of some of Hughes's pranks, but kids will eat up the image of one of! their own outwitting all the adults. --Marshall Fine

< /em>Home Alone 4:
It's tough being nine. Tougher still is spending Christmas with dad (Jason Beghe) at his new girlfriend Natalie's (Joanna Going) mansion even though it's loaded with all the techno-gadgets any kid could hope for! But this Christmas, Kevin (Michael Weinberg) is really in hot water again, and so are Marv (French Stewart) and his sidekick (Missi Pyle), who are trying to rob Natalie's house!

With funnier and more high-tech, crime-stopping wizardry at his disposal than ever, Kevin just might finally put these crooks on ice forever - and keep his parents together while he's at it - in this uplifting, hilarious comedy the whole family is sure to love!

Review for Home Alone:
Now and forever a favorite among kids, this 1990 comedy written by John Hughes (The Breakfast Club) and directed by Chris Columbus (Mrs. Doubtfire) ushered Macaulay Culkin onto the scree! n as a troubled 8-year-old who doesn't comfortably mesh with his large family. He's forced to grow a little after being accidentally left behind when his folks and siblings fly off to Paris. A good-looking boy, Culkin lights up the screen during several funny sequences, the most famous of which finds him screaming for joy when he realizes he's unsupervised in his own house. A bit wooden with dialogue, the then-little star's voice could grate on the nerves (especially in long, wise-child passages of pure bromide), but he unquestionably carries the film. Billie Bird and John Candy show up as two of the interesting strangers Culkin's character meets. Joe Pesci and Daniel Stern are entertainingly cartoonish as thieves, but the ensuing violence once the little hero decides to keep them out of his house is over-the-top. --Tom Keogh

Review for Home Alone 2: Lost in New York:
This somewhat unpleasant 1992 sequel to the ! blockbuster Home Alone revisits the first film's gimm! ick by s tranding Macaulay Culkin's character in New York City while his family ends up somewhere else. Again, the little guy meets up with colorful people on the margins of society (including a pigeon woman played by Brenda Fricker) and again he gets into a prop-heavy battle with Joe Pesci and Daniel Stern. The latter sequence is even worse than the first film in terms of violence inflicted on the two villains (director Chris Columbus, who also made the first film, can't seem to emphasize the slapstick over the graphic effects of the fight). The best running joke finds a concierge (Tim Curry) at the swank hotel where Culkin is staying trying and failing to prove that the boy is on his own. --Tom Keogh

Review for Home Alone 3:
Here's a perfect movie for kids, who never seem to tire of John Hughes's sure-fire slapstick formula. Working yet another variation on his mammoth 1990 hit, writer-producer Hughes (regarded by many ! as Hollywood's antichrist) strands a youngster in his own home with the chicken pox in this 1997 retelling. While his parents go to work, he sees a team of burglars invading the neighborhood houses; in fact, they're spies, looking for a toy containing a stolen microchip. The inevitability of the finale--one kid holding off four professionals with toys and garden tools--will do nothing to lessen the amusement of youngsters, who love to see the bad guys get creamed. Adults may pause at the sadistic nature of some of Hughes's pranks, but kids will eat up the image of one of their own outwitting all the adults. --Marshall Fine
Eight-year-old Kevin McCallister (Macaulay Culkin) has become the man of the house, overnight! Accidentally left behind when his family rushes off on a Christmas vacation, Kevin gets busy decorating the house for the holidays. But he's not decking the halls with tinsel and holly. Two bumbling burglars are trying to break in, and ! Kevin's rigging a bewildering battery of booby traps to welcom! e them!N ow and forever a favorite among kids, this 1990 comedy written by John Hughes (The Breakfast Club) and directed by Chris Columbus (Mrs. Doubtfire) ushered Macaulay Culkin onto the screen as a troubled 8-year-old who doesn't comfortably mesh with his large family. He's forced to grow a little after being accidentally left behind when his folks and siblings fly off to Paris. A good-looking boy, Culkin lights up the screen during several funny sequences, the most famous of which finds him screaming for joy when he realizes he's unsupervised in his own house. A bit wooden with dialogue, the then-little star's voice could grate on the nerves (especially in long, wise-child passages of pure bromide), but he unquestionably carries the film. Billie Bird and John Candy show up as two of the interesting strangers Culkin's character meets. Joe Pesci and Daniel Stern are entertainingly cartoonish as thieves, but the ensuing violence once the little hero decides to keep the! m out of his house is over-the-top. --Tom Keogh Eight-year-old Kevin McCallister (Macaulay Culkin) has become the man of the house, overnight! Accidentally left behind when his family rushes off on a Christmas vacation, Kevin gets busy decorating the house for the holidays. But he's not decking the halls with tinsel and holly. Two bumbling burglars are trying to break in, and Kevin's rigging a bewildering battery of booby traps to welcome them!Now and forever a favorite among kids, this 1990 comedy written by John Hughes (The Breakfast Club) and directed by Chris Columbus (Mrs. Doubtfire) ushered Macaulay Culkin onto the screen as a troubled 8-year-old who doesn't comfortably mesh with his large family. He's forced to grow a little after being accidentally left behind when his folks and siblings fly off to Paris. A good-looking boy, Culkin lights up the screen during several funny sequences, the most famous of which finds him screaming for joy when h! e realizes he's unsupervised in his own house. A bit wooden wi! th dialo gue, the then-little star's voice could grate on the nerves (especially in long, wise-child passages of pure bromide), but he unquestionably carries the film. Billie Bird and John Candy show up as two of the interesting strangers Culkin's character meets. Joe Pesci and Daniel Stern are entertainingly cartoonish as thieves, but the ensuing violence once the little hero decides to keep them out of his house is over-the-top. --Tom Keogh Kevin McCallister (Macaulay Culkin) is back! But this time he's in New York City with enough cash and credit cards to turn the Big Apple into his own playground! But Kevin won't be alone for long. The notorious Wet Bandits, Harry and Marv (Joe Pesci and Daniel Stern), still smarting from their last encounter with Kevin, are bound for New York too, plotting a huge holiday heist. Kevin's ready to welcome them with a battery of booby traps the bumbling bandits will never forget!This somewhat unpleasant 1992 sequel to the blockbuster H! ome Alone revisits the first film's gimmick by stranding Macaulay Culkin's character in New York City while his family ends up somewhere else. Again, the little guy meets up with colorful people on the margins of society (including a pigeon woman played by Brenda Fricker) and again he gets into a prop-heavy battle with Joe Pesci and Daniel Stern. The latter sequence is even worse than the first film in terms of violence inflicted on the two villains (director Chris Columbus, who also made the first film, can't seem to emphasize the slapstick over the graphic effects of the fight). The best running joke finds a concierge (Tim Curry) at the swank hotel where Culkin is staying trying and failing to prove that the boy is on his own. --Tom Keogh Home Alone:
Eight-year-old Kevin McCallister (Macaulay Culkin) has become the man of the house, overnight! Accidentally left behind when his family rushes off on a Christmas vacation,! Kevin gets busy decorating the house for the holidays. But ! he's not decking the halls with tinsel and holly. Two bumbling burglars are trying to break in, and Kevin's rigging a bewildering battery of booby traps to welcome them!

Home Alone 2: Lost in New York:
Kevin McCallister (Macaulay Culkin) is back! But this time he's in New York City with enough cash and credit cards to turn the Big Apple into his own playground! But Kevin won't be alone for long. The notorious Wet Bandits, Harry and Marv (Joe Pesci and Daniel Stern), still smarting from their last encounter with Kevin, are bound for New York too, plotting a huge holiday heist. Kevin's ready to welcome them with a battery of booby traps the bumbling bandits will never forget!Review for Home Alone:
Now and forever a favorite among kids, this 1990 comedy written by John Hughes (The Breakfast Club) and directed by Chris Columbus (Mrs. Doubtfire) ushered Macaulay Culkin o! nto the screen as a troubled 8-year-old who doesn't comfortably mesh with his large family. He's forced to grow a little after being accidentally left behind when his folks and siblings fly off to Paris. A good-looking boy, Culkin lights up the screen during several funny sequences, the most famous of which finds him screaming for joy when he realizes he's unsupervised in his own house. A bit wooden with dialogue, the then-little star's voice could grate on the nerves (especially in long, wise-child passages of pure bromide), but he unquestionably carries the film. Billie Bird and John Candy show up as two of the interesting strangers Culkin's character meets. Joe Pesci and Daniel Stern are entertainingly cartoonish as thieves, but the ensuing violence once the little hero decides to keep them out of his house is over-the-top. --Tom Keogh

Review for Home Alone 2:
Now and forever a favorite among kids, this 1990 com! edy written by John Hughes (The Breakfast Club) and d! irected by Chris Columbus (Mrs. Doubtfire) ushered Macaulay Culkin onto the screen as a troubled 8-year-old who doesn't comfortably mesh with his large family. He's forced to grow a little after being accidentally left behind when his folks and siblings fly off to Paris. A good-looking boy, Culkin lights up the screen during several funny sequences, the most famous of which finds him screaming for joy when he realizes he's unsupervised in his own house. A bit wooden with dialogue, the then-little star's voice could grate on the nerves (especially in long, wise-child passages of pure bromide), but he unquestionably carries the film. Billie Bird and John Candy show up as two of the interesting strangers Culkin's character meets. Joe Pesci and Daniel Stern are entertainingly cartoonish as thieves, but the ensuing violence once the little hero decides to keep them out of his house is over-the-top. --Tom Keogh
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