Dracula 2000

• Simon (Miller) is a vampire hunter in training under his apprenticeship.
• Van Helsing and Simon travel from London to New Orleans to rescue daughter Mary.
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The master of modern horror, Wes Craven, presents a riveting adaptation of the chilling classic featuring Jennifer Esposito (SUMMER OF SAM), Omar Epps (IN TOO DEEP), Jonny Lee Miller (TRAINSPOTTING), Vitamin C (GET OVER IT), and Jeri Ryan (STAR TREK: VOYAGER). When a team of techno-savvy thieves breaks into a high-security vault, they don't discover priceless artwork ... they find a crypt that hasn't been opened for 100 years! Suddenly, the ancient terror of Dracula is unleashed in the chaotic 21st century. Free to follow his pursuits of seduction and po! wer, Dracula's first destination is America and the exotic city of New Orleans, a place where he feels right at home. Not far behind, however, is a young vampire hunter (Miller) from London, determined to save a young woman (Justine Waddell) with whom Dracula shares his dark legacy!As a director, Wes Craven has been able to infuse his horror movies with humor and some smart, often genuinely creepy, thrills, even on his lowest-budgeted films. As a producer of horror movies, well, his record has been spotty at best. Craven tapped his longtime editor Patrick Lussier to direct Dracula 2000, and the movie ends up with all the good and bad of "a Wes Craven production." A modern-day update of the Dracula legend, the script has some genuinely good ideas. Christopher Plummer (The Insider) takes a relatively juicy role as Van Helsing, owner of an antiques shop specializing in ancient weapons. He takes exception to how his namesake was portrayed in Bram Stoker's classic! novel, which he's more than happy to tell his assistant (Jonn! y Lee Mi ller, "Sick Boy" from Trainspotting) without telling him the whole story. When Omar Epps leads a band of high-tech criminals to break into Van Helsing's high security vault (thinking that with so much security there's got to be something extremely valuable in there), what they end up stealing is the body of Dracula, who of course awakens from his slumber. When the story shifts to New Orleans, where Van Helsing's estranged daughter is working for the local Virgin Megastore (here metaphor is replaced by product placement), Dracula is drawn to her. The undead start to multiply, and the vampire hunt resumes. Another excellent idea deals with a new origin to Dracula, flashing back to biblical times to explain his aversion to silver and crosses. But there is a downside. Under the inept direction of Lussier the movie is never scary, inspiring instead an occasional feeling of pity for the actors. Overall, this a vampire movie for the mind, not the heart. --Andy Spletzer!

Creepshow [Blu-ray]

• Two macabre masters - writer Stephen King and director George A. Romero - conjure up five shocking yarns, each a virtuoso exercise in the ghouls-and-gags style ofic '50s horror comics. A murdered man emerges from the grave for Father's Day cake. A meteor's ooze makes everything . grow. A professor selects his wife as a snack for a crated creature. A scheming husband plants two lovers up to their

Studio: Warner Home Video Release Date: 09/08/2009Inspired by the controversial E.C. Comics of the 1950s--which also provided the title and inspiration for the popular Tales from the Crypt TV series--director George Romero and screenwriter Stephen King serve up five delightfully frightful stories. Utilizing comic-book panels, animated segues, and exaggerated lighting and camera angles, Romero and cinematographer Michael Gornick come very close to replicating a horror comic in film format. The ! results mix fine acting with the morbid sense of humor and irony that made the E.C. books so popular in their heyday. Actors such as Leslie Nielsen, Hal Holbrook, Ted Danson, Adrienne Barbeau, Ed Harris, E.G. Marshall, and even King appear in the stories, which include tales of a sinister father's day celebration, a mysterious meteor, seaweed-draped zombies, a monster in a crate, and a cockroach-phobic millionaire. Fiendishly fun fare from one of horror's most famous directors. --Bryan ReesmanTwo macabre masters - writer Stephen King and director George A. Romero - conjure up five shocking yarns, each a virtuoso exercise in the ghouls-and-gags style of classic '50s horror comics. A murdered man emerges from the grave for Father's Day cake. A meteor's ooze makes everything ... grow. A professor selects his wife as a snack for a crated creature. A scheming husband plants two lovers up to their necks in terror. A malevolent millionaire with an insect phobia becomes the! prey of a cockroach army. Add the spirited performances of a ! fine cas t (Hal Holbrook, Adrienne Barbeau, Leslie Nielsen, Ted Danson, E.G. Marshall and King himself) and the ghoulish makeup wizardry of Tom Savini. Let the Creepshow begin.

DVD Features:
Interactive Menus
Scene Access
Theatrical Trailer

Inspired by the controversial E.C. Comics of the 1950s--which also provided the title and inspiration for the popular Tales from the Crypt TV series--director George Romero and screenwriter Stephen King serve up five delightfully frightful stories. Utilizing comic-book panels, animated segues, and exaggerated lighting and camera angles, Romero and cinematographer Michael Gornick come very close to replicating a horror comic in film format. The results mix fine acting with the morbid sense of humor and irony that made the E.C. books so popular in their heyday. Actors such as Leslie Nielsen, Hal Holbrook, Ted Danson, Adrienne Barbeau, Ed Harris, E.G. Marshall, and even King appear in the stories,! which include tales of a sinister father's day celebration, a mysterious meteor, seaweed-draped zombies, a monster in a crate, and a cockroach-phobic millionaire. Fiendishly fun fare from one of horror's most famous directors. --Bryan ReesmanStudio: Warner Home Video Release Date: 09/08/2009 Run time: 134 minutes Rating: Pg13Inspired by the controversial E.C. Comics of the 1950s--which also provided the title and inspiration for the popular Tales from the Crypt TV series--director George Romero and screenwriter Stephen King serve up five delightfully frightful stories. Utilizing comic-book panels, animated segues, and exaggerated lighting and camera angles, Romero and cinematographer Michael Gornick come very close to replicating a horror comic in film format. The results mix fine acting with the morbid sense of humor and irony that made the E.C. books so popular in their heyday. Actors such as Leslie Nielsen, Hal Holbrook, Ted Danson, Adrienne Barbeau, E! d Harris, E.G. Marshall, and even King appear in the stories, ! which in clude tales of a sinister father's day celebration, a mysterious meteor, seaweed-draped zombies, a monster in a crate, and a cockroach-phobic millionaire. Fiendishly fun fare from one of horror's most famous directors. --Bryan Reesman

Deadly Sweet (Col Cuore in Gola)

• Starring 17-year-old beauty-contest winner Ewa Aulin (CANDY), and Jean-Louis Trintignant (A MAN AND A WOMAN), Deadly Sweet is a most unusual crime story. In the film, a French actor finds his business contact lying murdered on the floor. Rather than call the police, he decides to protect the young woman at the scene and nail down the true killers, which puts him on a collision course with the Lond

An FBI agent with deep rooted past issues is on the prowl for the infamous Serial Killer, " Giallo ( Yellow) " as he is known. No ordinary Killer ...he seeks victims that are beautiful women only to disfigure and eventually kill them off. This time he has captured a beautiful model and our Agent ( Brody) must find him before he commits his latest victim's fate. Chilly Thiriller from master Director, Dario Argento.... Not to miss"Giallo" films are characterized by extended murder sequences featuring! excessive bloodletting, stylish camera work and unusual musical arrangements. The literary whodunit element is retained, but combined with modern slasher horror, while being filtered through Italy's longstanding tradition of opera and staged grand guignol drama. The genre had its heyday in the 1970's, with dozens of Italian giallo films released. This collector's set has a trio of Giallo's that fit that genre perfectly - Blood and Black Lace, Bird With a Crystal Plumage and Watch Me When I Kill. All three movies will be individually wrapped and sold together in this all new collector's slip case. Bonus Features: Blood and Black Lace: Photo Galleries, Bios, Commentary by Tim Lucas (Editor of the Video Watchdog), Interviews with Mary Dawne Arden and Cameron Mitchell, Bonus Music Track by composer Carlo Rustichelli| Original theatrical trailer. Bird With a Crystal Plumage: Interactive Menus, Bios, Theatrical Trailer, New Dolby Stereo Surround Tra! ck, Enhanced 16x9 Transfer, Bonus: Contains the complete orig! inal mus ic sound track. Watch Me When I Kill: Original :30 second and :60 second radio spots, Antonio Bido Biography, Scene Selection. Specs; 3-DVD9s; Dolby Digital; 281 minutes; Color; 16x9 Widescreen Aspecat Ratio; MPAA - NR; Year - 1964, 1970 & 1981; SRP - $29.99.With the exception of die-hard aficionados of European or Italian horror cinema, most people may not have heard of giallo cinema or have seen many films in this subgenre of horror. Most academic film studies tend to ignore horror cinema in general and the giallo specifically. Critics often deride these films, which reveal more about the reviewers' own prejudices than any problem with the works themselves. As a counter to such biases, Mikel J. Koven argues for an alternative approach to studying these films, by approaching them as vernacular cinemaâ€"distinct from "popular cinema." According to Koven, to look at a film from a vernacular perspective removes the assumptions about what cons! titutes a "good" film and how a particular film is in some way "artistic."

In La Dolce Morte: Vernacular Cinema and the Italian Giallo Film, Koven explores the history and evolution of this aspect of cinema, and places these films within the context of Italian popular filmmaking. He addresses various themes, motifs, and tropes in these films: their use of space, the murders, the role of the detective, the identity of the killer, issues of belief, excess, and the set-piece.

In addition to being the first academic study of the giallo film in English, this book surveys more than fifty films of this subgenre. In addition to filmmakers like Mario Bava and Dario Argento, Koven also looks at the films of Lucio Fulci, Sergio Martino, Pupi Avati, Umberto Lenzi, and others. In all, the works of twenty-five different filmmakers are considered in this book. Also explored are the inter-relationships between these films: how one influences others, how ! certain filmmakers take ideas and build off of them, and how t! hose ide as are further transformed by other filmmakers. Koven also explores the impact of the giallo on the later North American slasher genre.Starring 17-year-old beauty-contest winner Ewa Aulin (CANDY), and Jean-Louis Trintignant (A MAN AND A WOMAN), Deadly Sweet is a most unusual crime story. In the film, a French actor finds his business contact lying murdered on the floor. Rather than call the police, he decides to protect the young woman at the scene and nail down the true killers, which puts him on a collision course with the London underworld. Deadly Sweet leads us through a mind-bending series of pop-art visuals by renowned erotic cartoonist GUIDO CREPAX, split screens, triple split screens, and the seductive rock score by Armando Trovajoli. Bestselling filmmaker, Tinto Brass, who later gained fame for his soft-core erotica, wrote the screenplay in 1967, loosely adapted from a novel by Sergio Donati, as an outrageous attempt to turn the crime genre on its head. It ca! n be said that with this film, Cinema Fumetti (comic-book movies) was invented prior to the more known DANGER: DIABOLIK and BARBARELLA.



Cult Epics is proud to present Deadly Sweet (aka Heart in his Mouth), a rare giallo thriller unseen since its initial theatrical release (1967), whose lead actors went on to star in DEAD LAID AN EGG, a year after.

SPECIAL FEATURES
- Widescreen version (16X9 Enhanced)
- Restored, uncensored Director's Cut
- Exclusive English audio commentary
by Tinto Brass
- Lobby Card Gallery
- Trailer

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Claude Lelouch may never be the most profound director in the world, but he sure knows how to whip up a catchy distraction. And Now Ladies & Gentlemen finds Lelouch in a skippy, unpredictable mode. Jeremy Irons, who seems to be enjoying himself enormously, is a thief who sets out on a sailing voyage, only to fetch up in Morocco after he blacks out at the helm. There he meets sultry singer Patricia Kaas (her first acting role); it turns out they both might have brain tumors. Did someone say this is a romantic comedy? It is, complete with musical numbers (Kaas glides through a cozy cross-section of French pop music, including the theme from A Man and a Woman, Lelouch's '60s smash). The m! ovie's all over the place, and it spins its wheels for the final half-hour, but there are certain kinds of romantics who will find this sort of thing irresistible. --Robert HortonLadies and Gentlemen… The Rolling Stones finally comes to DVD. This legendary Rolling Stones concert film, shot over four nights in Texas during the "Exile ON Main Street" tour in 1972, was released in cinemas for limited engagements in 1974 and has remained largely unseen since. Now, restored and remastered, Ladies and Gentlemen makes its first authorized appearance on DVD. This is one of the finest Rolling Stones concerts ever captured on film and features outstanding performances of classic tracks from the late '60s and early '70s. Claude Lelouch may never be the most profound director in the world, but he sure knows how to whip up a catchy distraction. And Now Ladies & Gentlemen finds Lelouch in a skippy, unpredictable mode. Jeremy Irons, who seems to be enjoying h! imself enormously, is a thief who sets out on a sailing voyage! , only t o fetch up in Morocco after he blacks out at the helm. There he meets sultry singer Patricia Kaas (her first acting role); it turns out they both might have brain tumors. Did someone say this is a romantic comedy? It is, complete with musical numbers (Kaas glides through a cozy cross-section of French pop music, including the theme from A Man and a Woman, Lelouch's '60s smash). The movie's all over the place, and it spins its wheels for the final half-hour, but there are certain kinds of romantics who will find this sort of thing irresistible. --Robert HortonPRODUCT DESCRIPTION: At Moviestore we have an unbeatable range of both original and classic high quality reproduction movie posters. Movie poster art is a wonderful collectible item and great for home or office decor. We have been in business for 16 years so you can buy with confidence. Our guarantee - if you are not fully satisfied with your purchase from Moviestore we will gladly refund your money.