After.Life

• AFTER.LIFE (DVD MOVIE)

A young woman caught between life and death.. And a funeral director who appears to have the gift of transitioning the dead but might just be intent on burying her alive. Studio: Tcfhe/anchor Bay/starz Release Date: 08/03/2010 Starring: Christina Ricci Liam Neeson Run time: 104 minutes Rating: R Director: Agnieszka Wojtowicz-voslooQuite a few folks in the movies have seen dead people, especially since The Sixth Sense, but After.Life gives this by-now-familiar conceit an intriguing spin. As director-cowriter Agnieszka Wojtowicz-Vosloo's 2009 film would have it, the deceased aren't exactly dead. At least not yet; in the days between whatever killed them and the moment they're put in a box and lowered six feet under, they're caught in some kind of purgatory, no longer alive but still able to move and communicate. Not to everyone, of course; only Eliot D! eacon (Liam Neeson) has the ability, be it a gift or a curse, to converse with these infernal travelers as he readies them for their final rest in the basement of his funeral home. That's where he meets Anna Taylor (Christina Ricci), who died in a car crash following a nasty argument with her boyfriend, Paul (Justin Long). Anna, not surprisingly, is in denial. How can she be dead, when she can still walk, talk, and experience emotions? Well, it's complicated, but Eliot's there to help her sort it all out--that is, unless he's up to something considerably more sinister, a question that remains in doubt even at the very end. After.Life has a cool concept, a good look, an ominous vibe (driven by former Tangerine Dream member Paul Haslinger's relentlessly spacy, downbeat musical score), and some fine performances. But movies like this depend on the rules and boundaries the filmmakers establish. In The Sixth Sense, those rules ("dead people don't know they're dead,! " etc.) are simple and consistent. Here they're a bit more con! fusing. How can the deceased wield a knife, open a locked door, or even make a phone call? If Anna is dead, why can she still see her breath on a windowpane? The willingness to accept such things may well affect one's appreciation of this very absorbing film. --Sam Graham

Honey and Spice: Sensual and Fierce Burlesque

• HONEY & SPICE:SENSUAL & FIERCE BURLESQUE, WITH JO (DVD MOVIE)

A small town singer moves to the big city where she view for her chance at stardom at the sizzling burlesque nightclub. Studio: Sony Pictures Home Ent Release Date: 03/01/2011 Starring: Cher Christina Aguilera Run time: 118 minutes Rating: Pg13There is, according to Burlesque, a nightclub on the Sunset Strip that looks like a blend of Cabaret and Moulin Rouge and employs a full contingent of dancers and musicians in the service of a neo-retro-burlesque-blues program. Presiding over the craziness within is Tess, a grande dame who also performs occasionally and who could only, under these circumstances, be played by Cher. Entering the scene is a young leather-lunged hopeful from Iowa named Ali, played by Christina Aguilera in her movie-acting debut. The vibe of this glitzy concoction is more Flashdance than Showgirls, despite prerelease predictions that the film would be a campfest of epic proportions. In fact, it's more cornball than trashy. Ali hits most of the clichés of the genre: defying Tess's skepticism by proving her mettle during an impromptu stage number; flirting with the nice-guy bartender (Cam Gigandet, of Twilight) whose home she shares for a while, in a purely platonic way, of course, just until she gets her feet on the ground; and keeping a wary eye on the high roller (Eric Dane, of Grey's Anatomy) who wants to possess her, because, you see, he takes whatever he likes. And did we mention that Tess is facing foreclosure on the club in a month's time? Seriously, you didn't see that coming? Writer-director Steve Antin has no embarrassment about putting any of this across, which may be why it all feels weirdly innocent, if relentlessly silly. Stanley Tucci revives his gay assistant from The Devil Wears Prada, Alan Cumming lurks a! bout in an undefined role that might well have been filmed mon! ths afte r everybody else, and Kristen Bell enjoys a few wicked-witch moments as Ali's main rival. Aguilera, needless to say, belts out her songs as only someone with a very large voice can, and Cher stops the show with an old-fashioned torch song ("You Haven't Seen the Last of Me") that is clearly designed as a roof-raiser. (And, by gum, it works.) This is a ridiculous movie, but it gets points for never claiming to be anything else. --Robert HortonA SMALL TOWN SINGER MOVES TO THE BIG CITY WHERE SHE VIEW FOR HER CHANCE AT STARDOM AT THE SIZZLING BURLESQUE NIGHTCLUB.There is, according to Burlesque, a nightclub on the Sunset Strip that looks like a blend of Cabaret and Moulin Rouge and employs a full contingent of dancers and musicians in the service of a neo-retro-burlesque-blues program. Presiding over the craziness within is Tess, a grande dame who also performs occasionally and who could only, under these circumstances, be played by Cher. Entering the ! scene is a young leather-lunged hopeful from Iowa named Ali, played by Christina Aguilera in her movie-acting debut. The vibe of this glitzy concoction is more Flashdance than Showgirls, despite prerelease predictions that the film would be a campfest of epic proportions. In fact, it's more cornball than trashy. Ali hits most of the clichés of the genre: defying Tess's skepticism by proving her mettle during an impromptu stage number; flirting with the nice-guy bartender (Cam Gigandet, of Twilight) whose home she shares for a while, in a purely platonic way, of course, just until she gets her feet on the ground; and keeping a wary eye on the high roller (Eric Dane, of Grey's Anatomy) who wants to possess her, because, you see, he takes whatever he likes. And did we mention that Tess is facing foreclosure on the club in a month's time? Seriously, you didn't see that coming? Writer-director Steve Antin has no embarrassment about putting any of thi! s across, which may be why it all feels weirdly innocent, if r! elentles sly silly. Stanley Tucci revives his gay assistant from The Devil Wears Prada, Alan Cumming lurks about in an undefined role that might well have been filmed months after everybody else, and Kristen Bell enjoys a few wicked-witch moments as Ali's main rival. Aguilera, needless to say, belts out her songs as only someone with a very large voice can, and Cher stops the show with an old-fashioned torch song ("You Haven't Seen the Last of Me") that is clearly designed as a roof-raiser. (And, by gum, it works.) This is a ridiculous movie, but it gets points for never claiming to be anything else. --Robert HortonBurlesque Beat is not just another aerobic exercise program, it combines exciting dance moves with exotic stretches to create an all over cardio and body sculpting workout. Burlesque Beat is a dance-inspired fitness class full of fun achievable moves designed to turn you into a vibrant, sexy woman. Rodney James, one of Australia's most respected, passionate a! nd inspirational fitness instructors, shows you the body-shaping benefits of dance which he uncovered during a successful international performance career. His enthusiasm and true passion for dance dissolves doubts and self-consciousness, enabling the most timid individual to move more confidently than ever. Rodney s video instruction has a room full of beautiful models to demonstrate to you all the sexy moves you ll need to know.The Honey & Spice instructional video explores two styles of burlesque: Sensual and Fierce. Burlesque is a sophisticated theatrical art with a long history, many subgenres and a wide range of flavors from classic to neo-burlesque. Burlesque combines elements of acting, modeling and dance. It cultivates confidence, bold femininity, and a sense of humor.

Created by Jo Weldon, the Headmistress and Founder of the New York School of Burlesque, the program features two burlesque routines set to authentic burlesque music. The emphasis of both rou! tines is on understanding the art of concealing and revealing.! While b urlesque has its own classic moves and steps, any burlesque routine can be personalized by adding steps from your favorite form of dance or from other variety arts.

The Honey routine is a tantalizing, sensual dance, performed with a feather boa. It is playful, funny, and very graceful. You will learn how to work with the boa, how to peel off your gloves, how to interact with your audience, and how to be sexy and confident on stage.

The Spice routine is based on the burlesque staple, Bump & Grind. It is high-energy, sexy, rhythmic, and glamorous. You will learn different types of bumps, various burlesque walks, and classic burlesque poses. In the Spice routine you will also learn how to project the burlesque attitude, that sexy confidence you need to amaze and charm any audience.

Jo demonstrates the routines and then breaks down each section step-by-step. Every routine consists of 5 combinations. The DVD chaptering allows you to navigate easily betw! een combinations, both in the demonstrations and in the breakdowns, for easy review and practice.

Additional technique and practice sections include a warmup, a sensual burlesque movement series, and the basics of bump & Grind. Jo also discusses burlesque costumes and offers tips for using certain special items of clothing as props: You will learn how to make a theatrical event out of peeling off your stockings and gloves, and taking off your corset. Special DVD Extras demonstrate the basics of Tassel Twirling and show different types of pasties and how to attach them.

Both routines in this program are based on the classic burlesque [striptease] tradition. Jo teaches moves she learned from women who performed burlesque in the 1930s through the 1960s. Jo s fascination with classic burlesque brought her to study with Dixie Evans, Sherry Britton, Tura Satana, Satan's Angel, Dee Milo, Toni Elling, and other legends of burlesque. Jo Weldon is the Co-Executive D! irector of Education for The Burlesque Hall of Fame, Las Vegas! , as wel l as the Coordinator of The Burlesque Master Class at Coney Island, where the best of New York's amazing neo-burlesque performers come together to present their most outrageous and iconoclastic acts.

Happy Feet (Widescreen Edition)

• Condition: New
• Format: DVD
• NTSC; Closed-captioned; Color; Widescreen

In the great nation of Emperor Penguins, deep in Antarctica, you're nobody unless you can sing - which is unfortunate for Mumble (ELIJAH WOOD), who is the worst singer in the world. He is born dancing to his own tune...tap dancing. As fate would have it, his one friend, Gloria (BRITTANY MURPHY), happens to be the best singer around. Mumble and Gloria have a connection from the moment they hatch, but she struggles with his strange "hippity- hoppity" ways. Away from home for the first time, Mumble meets a posse of decidedly un-Emperor-like penguins - the Adelie Amigos. Led by Ramon (ROBIN WILLIAMS), the Adelies instantly embrace Mumble's cool dance moves and invite him to party with them. In Adelie Land, Mumble seeks the counsel of Lovelace the Guru (also voiced by ROBIN WILLIAMS), a crazy-feathered Rockhopper ! penguin who will answer any of life's questions for the price of a pebble. Together with Lovelace and the Amigos, Mumble sets out across vast landscapes and, after some epic encounters, proves that by being true to yourself, you can make all the difference in the world. For anyone who thought the Oscar-winning documentary March of the Penguins was the most marvelous cinematic moment for these nomads of the south, you haven't seen nothing yet. Happy Feet is an animated wonder about a penguin named Mumble who can't sing, but can dance up a storm. George Miller, the driving force behind the Babe (and Mad Max) movies, takes another creative step in family entertainment with this big, beautiful, music-fueled film that will have kids and their parents dancing in the streets. From his first moment alive, Mumble (voiced Elijah Woods) feels the beat and can't stop dancing. Unfortunately, emperor penguins are all about finding their own heart song, and the! dancing youngster--as cute as he is--is a misfit. Luckily, he! bumps i nto little blue penguins and a Spanish-infused group (led by Robin Williams) and begins a series of adventures. Miller has an exceptional variety of entertainment: Busby Berkley musical numbers, amusement-park thrills, exciting chase sequences (seals and orca lovers might like think otherwise), and even an environmental message that doesn't weigh you down. Best of all, you don't know where the movie is going in the last act, a rare occurrence these days in family entertainment. A fusion of rock songs, mashed-up and otherwise, are featured; this movie is as much a musical as a comedy. Mumble's solo dance to a new version of Stevie Wonder's "I Wish" by Fantasia, Patti, and Yolanda may be the most joyful moment on camera in 2006. --Doug Thomas

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In the great nation of Emperor Penguins, deep in Antarctica, you're nobody unless you can sing - which is unfortunate for Mumble (ELIJAH WOOD), who is the worst singer in the world. He is born dancing to his own tune...tap dancing. As fate would have it, his one friend, Gloria (BRITTANY MURPHY), happens to be the best singer around. Mumble and Gloria have a connection from the moment they hatch, but she struggles with his strange "hippity- hoppity" ways. Away from home for the first time, Mumble meets a posse of decidedly un-Emperor-like penguins - the Adelie Amigos. Led by Ramon (ROBIN WILLIAMS),! the Adelies instantly embrace Mumble's cool dance moves and i! nvite hi m to party with them. In Adelie Land, Mumble seeks the counsel of Lovelace the Guru (also voiced by ROBIN WILLIAMS), a crazy-feathered Rockhopper penguin who will answer any of life's questions for the price of a pebble. Together with Lovelace and the Amigos, Mumble sets out across vast landscapes and, after some epic encounters, proves that by being true to yourself, you can make all the difference in the world.For anyone who thought the Oscar-winning documentary March of the Penguins was the most marvelous cinematic moment for these nomads of the south, you haven't seen nothing yet. Happy Feet is an animated wonder about a penguin named Mumble who can't sing, but can dance up a storm. George Miller, the driving force behind the Babe (and Mad Max) movies, takes another creative step in family entertainment with this big, beautiful, music-fueled film that will have kids and their parents dancing in the streets. From his first moment alive, Mumble ! (voiced Elijah Woods) feels the beat and can't stop dancing. Unfortunately, emperor penguins are all about finding their own heart song, and the dancing youngster--as cute as he is--is a misfit. Luckily, he bumps into little blue penguins and a Spanish-infused group (led by Robin Williams) and begins a series of adventures. Miller has an exceptional variety of entertainment: Busby Berkley musical numbers, amusement-park thrills, exciting chase sequences (seals and orca lovers might like think otherwise), and even an environmental message that doesn't weigh you down. Best of all, you don't know where the movie is going in the last act, a rare occurrence these days in family entertainment. A fusion of rock songs, mashed-up and otherwise, are featured; this movie is as much a musical as a comedy. Mumble's solo dance to a new version of Stevie Wonder's "I Wish" by Fantasia, Patti, and Yolanda may be the most joyful moment on camera in 2006. --Doug Thomas

Famous Stars and Straps Men's Fallen Soldier Tee, Black, Small

• Do the damn thing
• Making noise and influencing people

Regular fit. Fallen logo at front. Heavy duty 100% cotton. Imported.Short sleeve t-shirt with logo on front

Appleseed [Blu-ray]

• Street Date 31 May 2011.
• Studio EAGLE ROCK.
• Region A Americas, E Asia.
• Display 1.78 1 (Alternate Wide Screen), Enhanced Wide Screen Letterbox for 16x9 TV.
• SubTitles English, French, German, Spanish.

APPLESEED - Blu-Ray MovieThe 2004 Appleseed feature is a reworking of the earlier video based on the manga by Masamune Shirow (Ghost in the Shell). In 2131, most of humanity has withdrawn to the glittering city of Olympus after a devastating war. When the curvaceous Deunan Knute comes to Olympus, she encounters her former comrade Briareos, now a cyborg, and the lovely android Hitomi. The fate of Hitomi, Olympus, and humanity rest on the lost "Appleseed" technology that Deunan's mother helped to develop. A standard series of chases, mecha battles, and confrontations leads to a predictable ending. When the original Appleseedappeared in 1988! , it felt like a summary of anime's past, while Akira pointed the way to the future. This new version feels like a mishmash of Ghost in the Shell, Akira, Jin-Roh, Evangelion, and other, more exciting works. The motion-capture CG is typically weightless, and the mecha look oddly squat. (Rated R: violence) --Charles Solomon

Cellular (New Line Platinum Series)

• SUSPENSE IS ON THE LINE! After getting a frantic call on his cell phone from a kidnapped woman, a young man must battle his way through a ruthless world of lies and murder to rescue her. A fast-paced thriller in the vein of Phone Booth and Speed that will keep you riveted with edge-of-your-seat car chase scenes.Running Time: 95 min. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating:&nbs

SUSPENSE IS ON THE LINE! After getting a frantic call on his cell phone from a kidnapped woman, a young man must battle his way through a ruthless world of lies and murder to rescue her. A fast-paced thriller in the vein of Phone Booth and Speed that will keep you riveted with edge-of-your-seat car chase scenes.

DVD Features:
Audio Commentary:with Director David Ellis, writers Larry Cohen and Chris Morgan
DVD ROM Features:Script-to-Screen
Deleted Scenes:w/optional Direct! or commentary
Featurette:3 Exciting Featurettes! "Celling Out"A look at cellphones in today's culture "Dialing Up Cellular"Making of The Film "Code of Silence: Inside the Rampart Scandal"
Theatrical Trailer

Just when you think it's getting silly, Cellular serves up another tantalizing twist. In the time-honored tradition of Sorry, Wrong Number and Wait Until Dark, Kim Basinger is well-cast as a resourceful damsel-in-distress who thwarts her kidnappers by connecting with a n'er-do-well cell-phone user (Chris Evans, later seen in The Fantastic Four) who races against time to rescue her from afar. One good cop (William H. Macy) assembles clues to uncover conspiracy, while first-time writer Chris Morgan and pulp-movie master Larry Cohen (who conceived the plot, similar to his own Phone Booth screenplay) serve up a consistently satisfying string of high-tension surprises. Jason Statham continues to prove his rising-s! tar status as the film's tenacious villain, and director David! Ellis ( Final Destination 2) takes advantage of his experience as a veteran stunt coordinator and second-unit director, making good use of locations in his native Santa Monica, and wringing credible suspense from a deliriously far-fetched premise. --Jeff Shannon